MP3s are shared to try to convince people they should like the same music I do (As in... "then she told a friend, and she told a friend...) Of course if you love music, you should (responsibly) spend lots of your disposable income on music, concerts, and merch. If you are an artist or from a label, and would like a song removed, please e-mail me at kofis.hat [at] gmail [dot] com and I'll promptly do so.
Saturday, August 23, 2008
Be Afraid, Be Very Afraid
A few things that are causing me a mixture of interest and mild fright this weekend, besides the above "fantasy pumpkin":
1) The prospect of a Project Runway-style program for artists, hosted by Sarah Jessica Parker. (When you think "art", you think "Sarah Jessica Parker". Also, "reality television".)
3) Alfred Hitchcock's Ghost Stories for Young People, spotted today. It somehow seems like all kinds of wrong, maybe because I don't trust parents to exercise good judgment about whether their kids are old enough for these tales. Hitchcock's scary stories include "Johnny Takes a Dare" (Bad move, Johnny), "Helpful Hitchiker" (I sense there's a subtle lesson here, too), and "Jimmy Takes Vanishing Lessons" (Jimmy, you naive fool).
4) Brandon Flowers' somewhat worrisome Reading Festival concert banter. I love the Killers but not "We're going to pick it up a notch, we're going to steal some souls, shake some bones, get some meat." NME writes that Flowers said this "shakily", which raises some concern. During their set, the band played new song "Spaceman", from their next album, set to be released in November. There don't appear to be any YouTube videos of the Killers' Reading set up just yet... Maybe the clips will reveal whether we should be frightened that Flowers might steal souls and/or be concerned about his shakiness. Maybe not.
On Sandwiches & Springsteen: What Do McCain & Obama's Tastes Reveal?
So what have we really learned from the recent publicatio of the candidates' top 10 favorite songs? Is there anything interesting or relevant about John McCain's fondness for ABBA or anything else about these lists?
They argue that given "this opportunity to speak with our potential future leaders", Blender should have asked important, and apparently rather pointed questions, given their examples, which include phrases such as "magical money-dust".
However, there is no indication in the print or online version of the piece that Blender had any direct interaction with either candidate.
We're told that "Blender polled Barack Obama and John McCain for their top 10 songs." Most likely, an initial email was sent to each campaign's press office (Tiny Mix Tapes is equally free to contact them.) At some point a staffer probably emailed or faxed the lists. It's unlikely anyone from Blender personally requested these top 10 lists from the candidates, let alone had a chance to spring the suggested Spanish Inquisition on them.
Assuming unscreened questions were not possible, was this piece worth running?
I'm both a fan of lists, and burned out on them. There's such a glut of lists. While some are interesting and creative in an unforced way, too often the format is used to trot out some gimmicky, cheesy self-promotion.
McCain and Obama's lists are blatantly self-promotional and somewhat cheesy and there's nothing creative about a top 10 list of favorite songs. Still, I find the musical tastes of Presidential candidates inherently interesting. On the other hand, I have no interest in what music Michael Phelps enjoys.
Such lists arguably have historical value. A long-term comparative analysis of the musical tastes of major Presidential candidates might prove illuminating as to the personalities and characters of those who run, those who win/lose, those who win/lose by a wide margin, those who are at the center of Presidential scandals, and those who are (un)popular Presidents
Some research likely overstates the value of learning someone's music (or other pop cultural) preferences, but for the record (so to speak), research has indicated a link between musical preferences and "openness", "self-views (e.g., political orientation), and cognitive abilities (e.g., verbal ability)."
It's exceedingly likely that campaign staff helped shape each playlist; the lists should be read in that light. It stands to reason that, most importantly, officials would want to exclude any songs that might embarrass their guy, offend voters, or create controversy. Beyond that, the lists are a sort of PR opportunity. The song choice can be used to try to reshape a candidate's image (eg, "Hey, that new song I love; maybe he's 'young-at-heart!'"), reinforce the impression of a quality where he polls strongly (eg, "He likes songs about change; that's because he's "the change guy!"), or play up to some of this election's 430 demographics.
Grammatics - "New Franchise" Made From 80s Bits & Bobs
How to Refashion a Modern-Sounding Alt-Rock Song Using 80s Songs Already In Your CD Collection!*
1. Start with vocals in the vein of Bronski Beat's Jimmy Sommerville or Everything But the Girl's Tracey Thorn. Heaps of talent and the right cadence are required, and the ability to infuse their voice with heartfelt emotion.
2. Along those lines, the lyrics should aim for a Yazoo-ish mix of heart and vulnerability, and the music be well-suited to driving (particularly driving at night).
3. Everyone loves the drums from The Chemical Brothers' "Let Forever Be"! Mayhaps borrow inspiration from them. Fun, slightly-stepped-up drum beats will help change the flavor of your song if it's sounding a bit too "Bronski Beat/Everything But the Girl".
4. Adding an Erasure-esque choral section toward the end can also help mix things up a bit.
5. A secret ingredient is synth. A healthy dose of keys under the right hands will prevent your song from sounding like the answer to "80s Music: Will It Blend?"
6. Another secret ingredient: cello. Long respected by alternative musicians, but nonetheless underused, it mixes well with the usual alt-rock string instruments.
*plus additional musical instruments, bandmates, and talent which you may or may not already have.
Leeds-based quartet Grammatics has opted to give away magically-synthlicious third single "New Franchise", an earnest and surprisingly modern-sounding blend of 80s new wave and electronic influences and quirky raw talent. Not sure why something so kinda-reminiscent of other music also sounds so fresh, but it does, and it's also very good.
"I'm opening a new franchise, with my baby," sings Owen Brinley, in a distinctive voice that initially reminded me of Tracey Thorn, then of Jimmy Sommerville. "It calls over and out/It cries over and out/"To all the teenage mothers...Don't be afraid." Whoever else he brings to mind (if anyone), Brinley is a very talented, emotive and offbeat vocalist. And I'm sure such a sensitive, caring young man has a very good reason for feeling 20 year-old mothers are somewhat less deserving of a fear-free life than 19 year-old mothers. Really, it's a sweet and well-meaning song; how sad that people in the UK don't have the right to a fear-free life! Possibly even non-mothers deserve that! I'm tempted to throw a teabag across the room as a symbolic gesture of empathy for teenage mothers (and, for some reason, only teenage mothers. I trust Grammatics.)
The song bounces along, largely powered by a tireless synth (Brinley, also the group's guitarist) and standout drums (Dominic Ord), somewhere in the overlapping territory shared by Driving Songville and the Land of 1000 Dances. Rory O'Hara adds a strong bass and backup vocals. Emilia Ergin also contributes backup vocals, as well as a sharp cello that interplays nicely with the bass.
The group's second single, "D.I.L.E.M.M.A.", released in April, is positively cello-laden and wonderful. It also sounds completely different than "New Franchise", partly because of its heavy emphasis on the cello, guitar, and bass, rather than synth and drums. Brinley's quirky vocals bring potent earworm potential.
Grammatics are currently recording their first album; their label Dance to the Radio expects to release it early next year, and my expectations are nice and high.
The group's previous two singles are available from Dance to the Radio's digital store. One can also go the old-fashioned tangible route (though their first single isn't available that way, no can do.)
Videos:
The "New Franchise" video is fairly straightforward...
Given the similarly-patterned plaid shirt in Bronski Beat's video for "Smalltown Boy", I choose to believe the plaid content in the "New Franchise" video (Brinley's scarf) is a "shoutout", as the kids say, to Bronski Beat, and a way of acknowledging them as an inspiration. Then again, I also think Brinley might have worn a red sweater because he lost a bet with his best friend, Chris De Burgh, who thinks it's funny to coerce male friends into wearing red and then sing his cringe-inducing hit song "Lady in Red" to them.
'Cause now I only see my dreams in everything I touch Feel their cold hands on everything that I love Cold like some, magnificant skyline Out of my reach but always in my eyeline now
OH!!
Aw, Keane, everyone gets writer's block, but... "OH!!"? These lyrics are from the band's new single, "Spiralling", which finds Tom Chaplin doing his best Bryan Ferry (which is rather good!) through a kicky Bowie/Talking Heads confection on the tricky, elusive nature of "love" ("When we fall in love/we're just falling in love with ourselves".) "Spiralling" is our first taste of the band's third studio album, Perfect Symmetry, which is scheduled for an October 13th release.
A radio edit of "Spiralling" is available in the critically and commercially embraced MP3 format until 11 AM August 11th on Aw, Keane's website. They're emailing the link to download the song, but not requiring a sign-up to their newsletter. Warning: they probably mean 11 AM according to some sort of odd time zone used in the UK. UK readers, kindly refrain from reading the previous sentence.
September 29th marks the release of next single, "Lovers Are Losing" (I sense a theme on this album and isn't "LOVE - OH! HOW IT ROCKS!")
Other songs on the album include the title track, "Better Than This" (which sounds very Roxy Music"), "Playing Along" (hmm), "Black Burning Heart" (theme! theme! They're also "burning" something, à la the Talking Heads' burning house), and "YHTMA" (I'm going to guess it stands for "You Hear That, Mr. Anderson?" from The Matrix until if/when a better explanation presents itself. "The sound of inevitability. The sound of your death." "And of a couple sequels that will generally be regarded as kinda disappointing" which could somehow tie into a "doomed" love/world theme. The album is their third...I didn't see the third Matrix...this theory is spiralling.)