Kofi's hat

Kofi's hat

MP3s, music news and reviews, and a sprinkling of pop culture. Named by Aqualung's Matt Hales, after his son.

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Location: Los Angeles, California, United States

Ink in my blood, a song in my heart. Metaphor is my middle name.



Wednesday, August 31, 2005

New Rogue Wave Songs

Rogue Wave (what's with that one hat?)

Rogue Wave's "10:1", the first single from their forthcoming album Descended Like Vultures, was released last week. It also includes three non-album tracks: "Interruptions", "Wait for It", and "Crush the Camera". The band goes on tour in September, and the album will be released on Oct. 25 on Sub Pop. My keen deductive powers have sussed out that I'm not the only one who already has it. Insert pun comparing forthcoming-amount-of-praise-for-the-album to rogue wave [HERE]. I enjoyed the album on first listen.

mp3:Rogue Wave - Catwave

Tuesday, August 30, 2005

The Dandy Warhols - "Smoke It" video

The Dandy Warhols have released the video for "Smoke It", which has also just been released as the first single from their forthcoming album, Odditorium or Warlords of Mars. Just as we were promised, the video does feature Weezer -- er, the Dandy Warhols -- performing for dogs. I like the Dandies, but I think I could happily never hear this song again. It mostly sounds abrasive and kind of yelled to me.

Here's an older song by the Dandy Warhols I like better; it's a Neil Young cover:

mp3:The Dandy Warhols - Ohio

Monday, August 29, 2005

What the U.K. is Listening to



Yes, virtually every single person in the U.K. is listening to all of these songs. On a continuous loop, according to my informant. This behaviour seems kind of odd, but I'll chalk up my lack of understanding to cultural ignorance. These songs are all great, so at least they're showing some good taste on the other side of the pond.

MP3:Robert Post - Got None



MP3:Stephen Fretwell - Emily

MP3:Goldfrapp - Slide In

MP3:The Coral - Something Inside Of Me

MP3:Royksopp - Alpha Male

MP3:Black Rebel Motorcycle Club - Still Suspicion Holds You Tight

MP3:Elbow - Forget Myself

Sunday, August 28, 2005

The Rakes: Work, Work, Work (Rock, Rock, Rock)



The Rakes are very laddish and sometimes irreverant. Their songs are quite infectious and catchy, but of course that doesn't mean they're silly and meaningless, as you can tell from the songs I posted. "Work, Work, Work (Pub, Club, Sleep)", for example, deftly paints a picture of the painful life of an "ordinary" working bloke (note the "posh sounding girl, going on and on". Is this a shout out to Pulp? The song does have shades of "Common People").

This is the album cover

The Rakes' first full-length album Capture/Release was released in the U.K. a fortnight ago (that's two weeks to North Americans! Actually, it's two weeks to them too). But "fortnight" is fun to say, and to write as well. "Fortnight". Woot. The album has garnered a fairly favourable response from critics, and that's pretty impressive. It's their job to be critical!

Something about this blend of alt. rock/ska/punk/pop may feel familiar to you, but if you're like me (at least on this occasion), it'll still feel fresh and likeable.

The Rakes played played Carling Weekend: Leeds Festival on Friday and Carling Weekend: Reading Festival today, tackling both sets without ailing lead singer Alan Donohoe, instead relying on guitarist Matthew Swinnerton to handle most lead vocals. The band was joined on stage during each set by members of Bloc Party and Towers Of London, and at Reading, by Maximo Park. So, for what it's worth those bands presumably dig the band too.

(Quick, jump on the bandwagon before the backlash starts).

A couple tracks from The Rakes' debut album, Capture/Release:

mp3:The Rakes - Work, Work, Work (Pub, Club, Sleep)

mp3:The Rakes - Terror!

mp3:The Rakes - Strasbourg

You can check out songs and videos from Capture/Release at the Rakes' website

Leona Naess: Rare Tracks (and More)

Leona Naess looking a bit unhappy, or possibly trying to remember whether she left the iron on

Leona Naess writes and sings lovely, bittersweet, heartfelt songs -- the kind that are sometimes called "confessional" (I picture her listeners packed into the other side of a confessional booth as she sings). As for the genre... file under pretty alt. pop with a bit of folk and a bit of rock swirled in there.

The first two songs posted below were bonus tracks included on the Japanese version of the album I Tried To Rock You But You Only Roll, or in the case of the nice chap who sent them my way, with a bonus sampler given away only during the first week of sales of 2000's Comatised. The third song (from the same nice fellow) is from a 2003 live performance of "Calling" from "The Tonight Show".

At Leona Naess' website you can listen to samples of tracks Naess is working on for her fourth album, as well as an mp3 of "Ballerina", a song produced by Tori Amos and available only at Naess' website. She's currently on tour with Nickel Creek.

MP3:Leona Naess - Favorite Ghost

mp3:Leona Naess - Come, Come

MP3:Leona Naess - Calling (The Tonight Show) (from 9-15-2003)

mp3:Leona Naess - Calling (from 2003's Leona Naess)

mp3:Leona Naess - Charm Attack (from 2000's Comatised)

mp3:Leona Naess - Boys Like You (from 2001's I Tried to Rock You But You Only Roll)

mp3:Leona Naess - Promise to Try (from 2001's I Tried to Rock You But You Only Roll)

Saturday, August 27, 2005

The New Pornographers Show at Tower Records

The New Pornographers

Canada's ambassadors of offbeat, smart power pop The New Pornographers brought their self-professed "weird factor", paper lanterns (made of Twin Cinema posters), and possibly more instruments, equipment, and assorted stuff than I've seen at any other in-store* to the Sunset Blvd. Tower Records Thursday night.

*Disclaimer: I have never been to a Polyphonic Spree in-store appearance.

Two days earlier, their aforementioned third album Twin Cinema, was released, hence the in-store appearance, consisting of an unusually-long set for a free gig, followed by an autograph-signing session. Tower required a CD purchase to get a wristband to see the show, which didn't seem to keep people away. A good-sized, enthusiastic, and friendly crowd turned out and were rewarded with a dynamic, rocking set that sometimes felt transcendent ("The Bleeding Heart Show" is an amazing song and even more special live).

The set understandably concentrated heavily on tracks from the latest album. At one point someone called out for "The Laws Have Changed". Frontman A.C. Newman assured him that the song they were about to play was "better" before playing "Jackie, Dressed In Cobras". No one seemed disappointed. The set opened strong with "Twin Cinema", closed with the very catchy "Sing Me Spanish Techno" and there wasn't a dud to be found in between.

A.C. Newman
A.C. Newman

Kathryn Calder, in the spotlight as the newest New Pornographer (and fetching even more attention because she's A.C. Newman's niece), played piano and a very cute light blue tambourine with pandas and bamboo painted on it). She also sings, that night including "The Bones of an Idol" (which Neko Case sings on the album). I thought she sang "Bones" at least as well as Case, and her vocals in general were lovely; she has a clear, pretty voice.

Kathryn Calder, whose tambourine I covet
Kathryn Calder, whose favourite adjective is "magnetic"

Calder presented an interesting contrast playing the tambourine, and singing, for instance, the "Hey la, hey la" parts in "The Bleeding Heart Show" beside John Collins playing the bass sometimes rather stoically. He plays darn well, and isn't always very stoic; it's still quite a contrast.

Calder & Collins
Kathryn Calder & John Collins

There's something nice about a group that lets each bandmember be themselves. Heck, with the New Pornographers, every bandmember doesn't even necessarily go on tour at all. However, Neko Case and Dan Bejar (who were not at this show) are going to tour with the band soon. Not because they have to, but because they want to, and it's a good time for them (this info about Case and Bejar is from the Morning Becomes Eclectic interview linked below). Of the bandmembers who were there that night, keyboardist Blaine Thurier joins Collins in being a bit more on the understated side. He looked right at me when I snapped the photo below, and then smiled...

Blaine Thurier
Blaine Thurier

Todd Fancey, who sings and plays guitar, and wears Amoeba Music shirts to Tower Records gigs (rebel!) might be somewhere in the middle. He's sassy, anyway, and likes the word "octoplatypus" though he insists it's an adjective. He has a solo album and EP out, incidentally. You can listen to a few mp3s at his website. He did not ask me to say that, or even mention his solo work. He mentioned "octoplatypus" repeatedly though.

Blaine Thurier, Todd Fancey
Blaine Thurier, Todd Fancey

Drummer Kurt Dahle plays the hell out of the drums, sometimes mugs amusingly for photos, used the word, "eh" when talking to me before the show (hey, that's endearing), has an interest in album covers (a subject near and dear to my heart), and is funny. However, when he walked by a couple teenagers while holding a cigarette (he was on his way to smoke it outside), it felt like a monent straight out of a "The More You Know..." PSA. (They cast Canadians, don't they?

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Kurt Dahle... he urged us to buy the new R Kelly on our way out of the store. I think he was kidding

Oodles of Tower merchandise was covered by "KCRW Presents" posters, obscuring products such as the Al Di Meola's One of These Nights DVDs ("Great DVD!!!! For Al Di Meola Fans Only!!!!" raves an Amazon reviewer) and all of the Survivor CDs. Their sacrifice to music and to KCRW should not go unrecognized! Maybe. Of course, KCRW (an awesome listener-funded public radio station in Southern California) deserves such sacrifices, especially when they bring us great things like video of the New Pornographers' performance and interview from Friday's Morning Becomes Eclectic. They played "Twin Cinema", "Use It", "The Bleeding Heart Show", "Jackie, Dressed in Cobras", "The Bones of an Idol", "It's Only Divine Right", "Sing Me Spanish Techno", and "Streets of Fire". There are a few audio pops during the video, but they're minor. Host Nic Harcourt's interview with the band (it's primarily with A.C. Newman, really) definitely merits your time if you've any interest in the band. Newman, clad in a Late Show with David Letterman T-shirt provides insight into the primary motivation behind the different sounds of Twin Cinema, compared to the group's previous albums ("Changing things around is what bands do on the third record, isn't?"). He describes some of the specific changes -- "having mid-tempo songs" and "things like ballads" -- and reveals that because Neko Case "always sang the really pretty upbeat pop hits on the first two records", they decided to "give her the two slowest songs" on Twin Cinema "just to screw with people." At least we're on notice that the New Pornographers are screwing with us; that kind of honesty is refreshing.

The cheeky-monkey, "let's screw with people" approach shouldn't necessarily be embraced by all bands, but it seems to be working for the New Pornographers. Newman told Harcourt, "I'd rather have people hate us for changing than hate us for staying the same." With Twin Cinema they've produced an album even Pitchfork loves.

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I asked if I could take a couple pictures of them setting up. They said "no" but I snapped ahead anyway (just kidding). Point of interest: The writing on Kurt Dahle's drum; I don't know what it says. His favourite adjective is "painless", for what it's worth. (Hey, it's something you didn't know ten seconds ago and it just may win you a game of Trivial Pursuit in twenty years. It's very, very unlikely, but technically possible!)

The New Pornographers are set to return to Los Angeles for a concert at The Henry Fonda Theater on Sept. 29. Before then, their tour will them to Vancouver and Portland. After that, the rest of the world! (or at least assorted American cities, as well as Toronto, and possibly other places to be named later).

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One person with his eyes closed, two looking away. I choose to regard this photo as something of an achievement. There are better ones I'm not posting but I somehow just like this one. Oh... that Newman fellow claims his favourite adjective is "shiny" but I think it's possibly one of those instances where he's "screwing with us" (or "me" as the case may be). I don't want to alarm anyone, but it's possible he may not even have a favourite adjective.

mp3:The New Pornographers - The Bones of an Idol

mp3:The New Pornographers - Use It

mp3:The New Pornographers - The Bleeding Heart Show


Yay, the Weakerthans!
1. Observe The Weakerthans sticker. 2. Grin widely. (that's what I did, not instructions for you)

So... I have a Twin Cinema poster, signed by the New Pornographers to give away. updated to remove most of this part since it's over but of course not taking away my all-around thanks to Stephanie (who hung those poster paper lanterns above the stage. Not the only thing she did, but it's something cool you can clearly see in the photos) and also to ADA Distribution.

Friday, August 26, 2005

Fearless Records Summer Sampler 05

Fearless Records has produced a nifty CD featuring tracks from 9 bands on (naturally) their label. It's being given away with at least some newsstand issues of Spin, and very possibly other places. At the label's website you can do the usual label-website stuff (listen to more music from these bands (and others), watch videos, check bands' tour dates, send e-cards, and download icons.

Fearless Records Summer Sampler 05 Track Listing:

1. mp3:Gatsby's American Dream - Theatre ("my favorite color is shame"... "the sky is painted melancholy"... okay, guys very creative and dramatic, but those aren't colours. If I let it go this time, they'll never learn)
2. mp3:Plain White T's - All That We Needed(sweet power pop)
3. mp3:Sugarcult - Crying (At first listen, I thought the lyrics were too repetitive but I knew I liked it enough to post it. A couple days later - today! - I like it much more... I quite like the music, and the lyrics aren't as repetitive as I thought they were. It's just the chorus that has that repetition and it isn't really "bad")
4. Yesterday's Rising - I Am Fortunate to Know
5. mp3:Rock Kills Kid - Paralyzed(dang, this is catchy)
6. At the Drive-In - One Armed Scissor
7. So They Say - Goodbye Goodbye
8. mp3:Halifax - Straight Up (Yes, this is a Paula Abdul cover; it was on the fourth Punk Goes 80's compilation, which came out earlier this summer. I love that concept, and this track is pretty strong)
9. Brazil - Escape

Thursday, August 25, 2005

CMJ Magazine and CD: Issue 134

Chad Vangaalen is on the cover of the new issue of CMJ. The headline reads "Canada Can't Keep a Secret". I don't know if that's true -- if they're keeping some juicy secret(s) really well, other countries wouldn't know about it.

Maybe they'd like to try to keep Vangaalen a secret, though, and that's why the interview with Vangaalen arrived with the pages bound together. Actually, a lot of the pages of the latest CMJ were still attached at the top. Insidious plot to deprive (more-or-less) innocent Americans/possibly others of information about Canadian musicians? (and one of the other features I had to rip pages apart to read: "Book Club: What's Carl Newman of The New Pornographers Reading?" Coincidence? I think not! Say, speaking of The New Pornographers, I saw them play a free show tonight. They were great. Review to come... Yes, you should read it even though I already gave away the "they were great" part. It will be fascinating, have pretty pictures, and, uh, you may win something if you read it).

As for this Chad Vangaalen fellow, he's from Montgomery, Alberta. Last year he released Infiniheart, an album that "collects the best of several albums worth of his homemade recordings from the last five years or so." He played all the instruments with the exception of one drum track on the record CMJ calls "chilling and personal". Infiniheart got some attention from critics, Vangaalen opened for the Pixies, and wound up signing with Sub Pop (who are re-releasing the album).

This issue also has an interview with Minus the Bear, which makes me happy, even though it's only a page long (and half of that is a photo). There are also brief interviews with Sufjan Stevens (One question: "So what's up with the goat on the [Illinois] cover?"), Pelican, Xiu Xiu's Jamie Stewart, Jason Forrest, T. Raumschmiere, and Azure Ray's Orenda Fink (who flew her Voodoo guide to Omaha to perform her marriage ceremony when she married the Faint's Todd Baechle, and who has recorded a solo album called The Invisible Ones. The name is a Voodoo reference. CMJ's headline for this interview is "Voodoo Child". Clever).

Hmm, the ad for the CMJ Music Marathon is mucked-up. The angle is off and part of the left side is cut off. Maybe the printers/someone(s) at CMJ was too busy or excited about the Music Marathon to fully concentrate on the magazine this month. Can't say I blame them.

CMJ Issue 134 Track Listing:

1. mp3:Chad Vangaalen - Echo Train (hear him before Canada tries to stop you? I like this song a lot)
2. mp3:Laura Veirs - Galaxies (she sounds kind of like Kristin Hersh, which is a good thing, but the music sounds different. I like this too. If you like it, check out songs:illinois for more songs from Laura Veirs. Craig was hip to her years ago)
3. Dungen - Panda
4. M.I.A. - Bucky Done Gun
5. Michael Franti & Spearhead w/Gift of Gab
6. American Minor - Break
7. Arch Enemy - Nemesis
8. Lawless Element - Rules Pt. 2
9. Herbaliser - Generals
10. Heavenly States - Pretty Life
11. Little Barrie - Free Salute
12. mp3:Grand Buffet - Things That Go Hump in the Night (I'll put on my dancing shoes, but I will not let them reprogram me! There might be some hidden "catch" to that!)
13. mp3:Silversun Pickups - Kissing Families (I'm undecided on this one... I think it might lose its way in the last minute or so but I might need to listen to it again, not at 11 PM)
14. Dizmas - Let This One Stay
15. mp3:Orange Park - Make Up Your Mind (this rock is a bit more kind to my tired ears right now)
16. Gogol Bordello - Not A Crime

A Voice of the Beehive Post: Insert Own "Buzz" Pun [HERE]

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Voice Of The Beehive was a fun group... while they lasted. The singers were sisters (Tracey Bryn and Melissa Brooke Belland); the rest of the group guys (guitarist Mike Jones, drummer Daniel Woodgate, and bassist Mark Bedford). This makeup set them apart from both "girl groups" like the Bangles and the Go-Gos and bands fronted by one female singer. The band couldn't market themselves as a girl group. With only one woman in the group, they might have had more marketing pow. The cover of the group's first album, 1988's Let It Bee (above) featured the entire band, and subsequent album covers increasingly focused on the sisters. To be fair, after the first couple albums, only the sisters remained in the group.

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Honey Lingers, 1991

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Sex & Misery, 1996 (US cover)

When a "best of" album was released, although it only took tracks from the first two albums -- when the group was not yet a duo -- from the album cover you would think it was already one:

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Voice of the Beehive's first album, Let It Bee blends smart lyrics that are often both cynical and yet a bit idealistic and sets them to catchy power pop beats. The women know plenty about the myriad of ways in which life can suck, which makes them all the more determined to make things better. Some positive social messages are snuck in along the way, but it's painless, really.

Girls lie to boys and boys lie to girls
He says, "I've been at the office, papers up to here"
but he smells like beer
She says, "It's okay"
He thinks she doesn't know... Women always know.
- "Trust Me"


Men are sometimes jerks in the songs of Let It Bee (this would remain a theme throughout their career, actually). "There's a Barbarian in the Back of My Car" and "Beat of Love" both have supremely quoteable lyrics on this topic.

One example:

He says he has a question, he starts tugging at my clothes
Would I be good enough to take him to his girlfriend's home?
- "There's a Barbarian In the Back of My Car"


Elsewhere on the album, the women get more serious. "What You Have Is Enough", clearly, is a song with a message, but it's pretty catchy so if you can tolerate being preached to a bit you might enjoy it. More serious songs like that track and "Sorrow Floats" hinted at the direction the group would take on their next album.

On Honey Lingers, the cheery Patridge Family cover "I Think I Love You" may have been the band's most blatant attempt at commercial success and/or they may have really dug that song and wanted to pay a sincere homage to it via their art. Elsewhere, the songs were a bit more contemplative and philosophical but mostly as sweet-hearted (so to speak). Maybe you can't judge a book by its cover, but sometimes you can judge an album that way. The sisters didn't just tone-down their outfits for Honey; it's less outlandish. While five singles from Let It Bee were released in the U.K., only three were released from Honey Lingers ("Monsters and Angels", "I Think I Love You", and "Perfect Place") (This is one of the last nuggets of information I wrote before finishing this piece and I'm slightly disgruntled at having picked all the Honey singles to post. I feel so predictible). In 1993, the group recorded the Rolling Stones' "Gimme Shelter" with Jimmy Somerville for a project of the same name ("Gimme Shelter" that is, not "Jimmy Somerville"). The project was intended to to raise funds for a nonprofit called Putting Our House in Order, which helped people who are homeless. I haven't been able to find a website for the organization, so I don't know whether they're still around.

By 1996's Sex & Misery, the men had left the group. The women had experienced "a series of personal traumas" prior to writing the album, which was originally titled Disastrous Relationships, Disillusionment, Depression & Death.

The album's liner notes addressed some of the difficulties the sisters had gone through since Honey Lingers. An excerpt:

While the days of Honey Lingers were bright and sweet, what followed was tinged with sadness both professionally and personally. After successfully extracting ourselves from our old record contract, my sister and I decided to make a go of it alone. This album is the result. Sung in grief at the loss of our innocence and band and in celebration of our independence, each note was a labour of love, Love, Missy


Again, no really outlandish songs on this one. Still plenty of cynicism.

We're all screamin',
No one's getting out
This is the game called playing house
- "Playing House"


I'd rather watch him just destroy my my home
Then try to make it on my own
- "I'm Still In Love"


Also still plenty of melancholy mingled with hope, and mixed feelings about that love thing.

I am a problem girl, I have a habit old
If I got silver I'd pine for shiny gold

...

I have a solid trust - I have a hope for us
- "So Hard"


"Let It Bee" is my favourite Voice of the Beehive album. I feel kind of badly for a group when I say their first album was my favourite but... it was. As for Sex & Misery, the music is a bit too sort of chirpy for me in places, and I still miss the humour. It's interesting that most of the songs tend to be either pretty angry or very sweet and hopeful. The group already was both cynical and idealistic and the sisters' string of personal problems and the band's breakup could intensify both tendencies, I suppose. I'm not sure whether it's the most emotional songs on the album that I like the most. I like "Scary Kisses", "Love Locked Inside", and "Blue in Paradise"... I like "Playing House" and "So Hard" except that both have a couple very, very 80s riffs that bug me a bit, even though I love a lot of 80s music. "Still in Love" is good though awfully angry and the positive message that must be in there is a bit more cloaked than usual.

The group had a reunion tour last year and a DVD "Voice of the Beehive Live - Don't Call Me Baby" is now available, but it's apparently encoded to only play in the UK (or in region-free DVD players, naturally).

There's a spiffy official Voice of the Beehive website here, run by a fan who is much more knowledgeable about the group than I am. My post: mostly assorted opinionations, with a few facts from the official website and All Music Guide inserted (cited, of course!) to subtly create the impression that I know what I'm talking about (pretty clever, eh?). Official Website Guy: actually knows what he's talking about (more impressive, but more work; it's debateable which is the "better" approach).

I don't know whether the sisters intend to "return to the studio" (what a funny expression; as though there is only one studio that must be shared). I think it would be great if they did...

From Let It Bee (my favourite Voice of the Beehive album. I could easily have picked any number of other tracks to post... ones I really like, I mean!):

mp3:Voice of the Beehive - There's a Barbarian in the Back of My Car

mp3:Voice of the Beehive - Beat of Love

mp3:Voice of the Beehive - I Say Nothing


From Honey Lingers (also good; they did up the "sweet" factor a bit):

mp3:Voice of the Beehive - Monsters and Angels

mp3:Voice of the Beehive - Perfect Place

mp3:Voice of the Beehive - I Think I Love You


From Sex & Misery:

mp3:Voice of the Beehive - Scary Kisses

mp3:Voice of the Beehive - Love Locked Inside

mp3:Voice of the Beehive - So Hard

Wednesday, August 24, 2005

Bloody Awful Song Titles: #1 in a Series

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This is far from a definitive list (the "in a series" part probably gave that away). It could never be truly definitive, anyway, because I'm leaving out novelty songs and country songs with wacky titles like "I Bought the Shoes that Just Walked Out on Me" and "There Ain't Enough Room in My Fruit Of The Looms to Hold All My Lovin' For You". (Good gosh, that's romantic).

A series of posts about great song titles is forthcoming. Songs by R.E.M., The The, Echo and the Bunnymen, Mental As Anything, Minus the Bear, and Squirrel Nut Zippers are among those on the first "good" list.

As for this "other" list: that there may be titles I dislike more, or that are "worse" titles, should not take a thing away from these titles. They still deserve to be singled out for their varying degrees of yuckiness.

The worst possible outcome when naming a song is perhaps to wind up with a title that's downright offensive (and lacking in any humourous interpretation). There's only one example of that on this list, though it's far from the only song (or song title) with a bad message. Short of that, from our point of view, bad titles may annoy and/or confuse us a bit. And a really bad title can effectively make us plug our ears... turn us away from a song altogether. Some great songs lurk behind lousy titles, so that can be a bummer... Some artists not only are willing to assume the risk of alienating listeners, but enjoy taking that risk. Unusual or provacative titles are a pretty easy, cheap, and probably fun way to seek attention and/or shock people. Creative song-naming is a chancy endeavor, though, even among especially clever people. Others might want want to proceed with caution.

This list is dedicated to "Your Body is a Wonderland". I wanted to mention it in my 100th post, and wrote something that evolved into this post instead. A lot of people like the song. My opinion isn't better than theirs; it's just different. I sure do dislike that title (and song), though. But I'm getting ahead of myself...

In no order: Bloody Awful Song Titles, part 1

1) "Your Body is a Wonderland" - John Mayer. Hate the title, hate the euphemism "wonderland", hate the song. It's somehow less sexy than that picture of Neil Diamond. (Did anyone really just click to go see the picture of Neil Diamond? If so, I feel vaguely proud of you, even though I probably don't know you, and I don't know why I feel a sense of pride. I guess I admire your curiousity, or bravery... your plucky sense of adventure! Although perhaps you're a bit of a sadist, in which case I'm not proud of you, but I do feel for ya, and you should probably seek help. Good luck and please don't write to me requesting more pictures of soft rock singers from the 70s).

2) Hotel Womb - The Church - You really have to feel for the maids at that place. Good song, but that title is a bit odd...

mp3:The Church - Hotel Womb

3) Every Day Is a Child With Teeth - The Liars - The Liars... so every day isn't a child with teeth? Every day is a child without teeth? Some days are a child with teeth? The Liars have several other bad titles. "They Took 14 for the Rest of Our Lives"

4) We Eat Your Children - Camper Van Beethoven - It's an instrumental.

5) Aphid Manure Heist - Beck - While "Satan Gave Me A Taco" has arguable comic value, I don't think this title has any redeeming qualities.

6) S-E-X-X-Y - They Might Be Giants - It's hard to make a title work when an artist pulls wacky capital letter tricks. Add something else... abbreviation, spelling, whatever, and I will likely get annoyed. Make the title "sexy", put it in all-caps, and misspell it? Definitely annoying. It's supposed to be funny... and yet it's not. At least the title serves as a sort of warning; I think the song is awful too.

mp3:They Might Be Giants - S-E-X-X-Y

7) He Hit Me (And It Felt Like A Kiss) - The Crystals - For more serious reasons, what a lame-ass title, and the lyrics are as bad as you'd imagine from the title.

He hit me and I knew he loved me
Cause if he didn't care for me
I could have never made him mad
He hit me and I was glad


Ugh. The song is from 1962, and according to at least one member of the group, Phil Spector "cajoled" them into recording the song, which none of them liked. Radio stations and the public disliked it too, so good on them. A few artists have covered it, most notably The Motels and Hole. They would likely say the idea was to make a "statement" about the song. Sometimes, even when a song sucks (for whatever reason), an artist can make a great cover of it. A legitimate case can perhaps be made for covering an offensive song to bring attention to it. However, the covers bring attention to a song that perhaps deserves to fade into obscurity*. In this case, for instance, the covers, also run the risk of having people embrace the covers for the song's original, offensive message rather than any new anti-violence message. Still, I don't think bands are done covering this song.

*And so does this post, but I still think these are interesting questions.

An intermission...

Picking on Celine Dion seems too easy, but I did consider it. I went to peruse through some of her albums at Amazon, and experienced a moment of sheer terror when I accidentally clicked on "Listen" instead of on one of her album titles. My jaw dropped a little and my eyes widened. I rushed to click "back screen" as quickly as possible to avoid hearing any of her music. "It's a message," I thought. Leave Celine alone.

But seriously, look at this.

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Why is she holding her neck and head like that? Should we be concerned? I'm concerned. Just because I don't want to listen to her music doesn't mean I want her to suffer!

End of the Intermission... hope you went to the lobby and got yourself a treat

8) You Spin Me 'Round (Like a Record) - Dead or Alive - I liked this song. Cheesy, but fun. The title looks like it was translated using one of those online translation tools that doesn't always quite capture the original meaning... the parenthetical aside looks so silly in the title. You spin me round, darling... (like a record, you see... is what I mean...) This is kind of a bad-good title, but bad, nonetheless.

mp3:Dead or Alive - You Spin Me Round (Like A Record)

mp3:Dead or Alive - You Spin Me Round (Like A Record) (Metro Edit)

mp3:Orgy - You Spin Me 'Round (Like A Record) (especially because I exploited the good name of Orgy in my 100th Post-post)

mp3:Gigi D'Agostino - You Spin Me Round (Like A Record)

9) I Wanna Do More Than Whistle - Lawrence Welk - I'm sure he did, but I don't want to think about it.

10) The Clouds Begin To Veil The Hemisphere... - Lorraine Hunt Lieberson (Handel Aria) - Do clouds really "veil" all that often? Do we need the word "hemisphere" in song titles? You want an aria title? (You do? How did you end up at this blog? I mean: welcome!) From the same album (Lorraine Hunt Lieberson: Handel Arias): "She's Gone, Disdaining Liberty And Life..." - add another dozen words and you have a Sufjan Stevens title. "Ah! Whither Should We Fly..." has a certain charm too. My tastes don't really generally extend to arias, but dammit it's about time someone criticicized their most lackluster titles! Someone(s) might already have done so, and if that's the case, kudos to them!

11) What's Up With Youth - Corey Feldman - I know, Corey. I'll explain if you tell me what's up with that title, and this album cover, and if both answers impress me.

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12) The Horizon Bleeds And Sucks Its Thumb - This Mortal Coil - Another instrumental. I think "As I Watch the Sun Fuck the Ocean" is a funny title (that one's by Boy Hits Car). This one's just silly.

13) You & Eye - David Byrne - The cutesy spelling is annoying and silly. The lyrics refer to "you and I" so the title might as well have too (or should I say "2"? No. No, I shouldn't).

Tuesday, August 23, 2005

Cat Power's Chan Marshall Discusses 2006 Album

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Chan Marshall of Cat Power recently gave Rolling Stone some details about her next album, which was recorded in Memphis in about five days with musicians such as Booker T. and the MG's drummer Steve Potts and Teenie and Leroy Hodges, who worked with Al Green. Rolling Stone describes the album as "sonically cheery" while continuing to deal with "subject matter as dark and introspective" as that of her last album, 2003's "You are Free". Still, there's also "Could We", which Marshall describes as "the breakup song, the fall-in-love song, the summer-love song." Just had to get the "breakup" part in there, didn't she?

mp3:Cat Power - Still in Love (from Myra Lee)

mp3:Cat Power - Nude as the News (from What Would the Community Think)

mp3:Cat Power - Cross Bones Style (from Moon Pix)

mp3:Cat Power - Naked, If I Want To (Moby Grape cover, from The Covers Record)

mp3:Cat Power - I Found a Reason (The Velvet Underground cover, from The Covers Record)

mp3:Cat Power - I Don't Blame You (from You Are Free)

mp3:Cat Power - Evolution (from You Are Free)

Monday, August 22, 2005

An Electric Friend Dies - Farewell, Bob Moog

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The man behind the legendary Moog synthesizer (as well as the Minimoog, Micromoog, and others), Robert A. Moog died Sunday at the age of 71 at his home in North Carolina. This news so saddened me. I knew where to begin, with posting songs featuring Moog synthesizers; it's hard to stop. I'm leaving out so many, but it's impossible not to. Stevie Wonder, Stereolab, Sonic Youth, Erasure, David Bowie, and Trent Reznor have embraced the Moog to varying degrees. I haven't included anything by them in this post, but at least I can highlight a few Moog favourites.

According to the Moog Music website, Moog had been diagnosed with brain cancer (glioblastoma multiforme or GBM) in late April and had undergone radiation treatment and chemotherapy. His family has established The Bob Moog Foundation, which they intend to benefit "the Advancement of Electronic Music in his memory." For more information about the Bob Moog Foundation, you can contact Matthew Moog at mattmoog[at]yahoo[dot]com. Matthew is Bob Moog's son; he also had four daughters, and is also survived by a wife, and a former wife.

The Associated Press wrote an interesting and touching article about Moog. He's described as having had an "absent-minded professorial way about him" and called "an Einstein of music". There's also this rather humble quote from him from a few years back, "I'm an engineer. I see myself as a toolmaker and the musicians are my customers. They use the tools." His wife Ileana said he especially appreciated "the magical connection" between musicians and their instruments.

In tribute to Bob Moog, some songs featuring his synthesizers:

mp3:The Beatles - I Want You (She's So Heavy) (John Lennon said, of this Abbey Road track, "We used a Moog synthesizer on the end. That machine can do all sounds and all ranges of sound.")

mp3:Gary Numan - Are Friends Electric (extended) (A classic. Numan will forever be associated with the Moog)

mp3:Giorgio Moroder and Philip Oakey - Together In Electric Dreams (appeared on the Electric Dreams soundtrack, heh. The vocals were by Human League singer Philip Oakey, and the song also appeared on various Human League albums)

mp3:Pavement - Passat Dream (Pavement gets Moog-y on "Brighten the Corners"... I think this track is great)

mp3:Barcelona - The Power of Jen (So fun)

From The Moog Cookbook's first, self-titled album:

mp3:The Moog Cookbook - Buddy Holly (this gets weirder, and better after the first bit... after a little while it starts to sound like circus music, then it gets more strange, and increasingly cool. The Moog Cookbook is likely an acquired taste for some; for others it's something you have to be in the mood for... other people likely just hate it. It's definitely different)

mp3:The Moog Cookbook - Basket Case

From The Moog Cookbook's second album, Ye Olde Space Band: Plays Classic Rock Hits :

mp3:The Moog Cookbook - Rock & Roll All Night (bratty-sounding music that rocks and a robotic-voice declaring its desire to rock & roll all night and party ev-er-y day. Awesome. I think perhaps the bit at the end is supposed to evoke memories of summer/summer camp)

If you want to read more about Moog synthesizers and you hate your local library... there's always the Internet. Or buying book(s). Here's one: Analog Days: The Invention and Impact of the Moog Synthesizer by Trevor Pinch and Frank Trocco ("The authors are especially effective in exploring the cultural, sociological, and economic sides to the synthesizer revolution. Throughout, their prose is engagingly anecdotal and accessible, and readers are never asked to wade through dense, technological jargon. Yet there are enough details to enlighten those trying to understand this multidisciplinary field of music, acoustics, physics, and electronics." - Library Journal. I haven't read it but it sounds cool)

Sunday, August 21, 2005

NME: Oasis Presents CD

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The current issue of NME includes a CD featuring a live Oasis song, along with tracks by Noel Gallagher's favourite Oasis support bands of 2005. Yeah, just Noel... The CD is called NME: Oasis Presents, but there's a short interview with Noel inside, along with the shocking (?) revelation that Noel has chosen the tracks himself. He also comments on each song/band. It's a pretty cool compilation, and well worth the import price (I paid $5.50; NME is quite a bit cheaper than a Q or Uncut, for example).

NME: Oasis Presents Track Listing:

1. The Soundtrack of Our Lives - Confrontation Camp (Noel: "They're the past, present and future of rock 'n' roll")
2. mp3:The Subways - Oh Yeah (live) (hmm. Don't think I like this. Noel likes them because they have "a bird in a miniskirt playing the bass.")
3. The Zutons - Dirty Dancehall (Noel praises them for playing one of the best sets he's ever seen, stepping in for Babyshambles)
4. Jet - Get What You Need (Noel says he doesn't usually "condone this kind of music" but the band has become Oasis' "new best friends" on the road)
5. mp3:The Stands - Turn the World Around (I like this, and it does sound rather Oasisesque. Noel calls the group "Liverpool's best kept secret")
6. mp3:The Coral - She Sings the Mourning (thought I had shared enough from this CD, wasn't going to include this one. I do like The Coral, but I wasn't sure about this track. Then I read Noel this from Noel: "To me, they're without doubt the best band in England, full stop. Their new record has six absolute fucking genius songs on it, including this." Alright then... it's Oasis' CD...)
7. mp3:The Bees - These Are the Ghosts (Undead Version) (This reminds me a lot of another song, though I can't remember what that other song is. I could do without the "woooo!" a couple minutes in, but otherwise this is pretty good. The lyrics are a tad redundant. Noel calls The Bees "good lads" and their album "Free the Bees" the best album out of Abbey Road since "Abbey Road".)
8. Futureheads - Banquo (he thinks they're the weirdest band in Britain, and has no idea "what their music is about or what it means" but he likes it)
9. 22-205 - Devil in Me (from Liam's favourite album of last year)
10. Secret Machines - The Road Leads Where It's Led ("Fucking amazing" says Noel)
11. mp3:Yeti - Never Lose Your Sense of Wonder (Death-metal is not my thing, but to each their own... No, seriously this is very sincere and gosh-darn nice. I didn't know Oasis liked music that's this friendly. Yet Noel says this "sounds like all the early Stone Roses B-sides, and I think they are four of the best singers I've ever heard in my life." I've been listening to a fair amount of Stone Roses lately... not sure about that comparison, but I'm intrigued by it)
12. Nic Armstrong and the Thieves - Broken Mouth Blues ("They're pretty special man" Noel doesn't like their haircuts though)
13. mp3:Oasis - My Generation (live) (cover of the Who song. Noel notes that Who drummer Zak Starkey is on their present tour...)

Mercury Prize Compilation CD

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On Tuesday, the 2005 Mercury Prize compilation CD was released in the UK. It's a mere 5 pounds for 13 tracks (the equivalent of $8.97 in the U.S. or $10.87 in Canada, which still would seem like a bargain. On the other hand, if it was available in Sweden, it would go for 69.19 Krona, which somehow seems quite high, even though I guess it's not. Maybe). I imagine it will make its way to the US at some point, though no longer at quite the same bargain price...

The winner will be announced on September 6. If there's a surprising winner, Mercury Prize Fever might last a good while longer. If not, I will likely let my interest dwindle down for a while, and focus elsewhere. However, if freaking Coldplay wins and especially if in Chris Martin's speech, as in his recent Rolling Stone interview, he feels compelled to say anything remotely like this -- "I definitely believe in God. How can you look at anything and not be overwhelmed by the miraculousness of it? Everything from that carpet to your nose to my balls is amazing. In fact, my balls are a particular miracle." -- Well, then. I swear on Alex Chilton, all bets are off.

The 2005 Nationwide Mercury Prize Compilation CD Track Listing:

1. mp3:Kaiser Chiefs - Everyday I Love You Less And Less
2. The Magic Numbers - Forever Lost
3. mp3:KT Tunstall - Black Horse and the Cherry Tree
4. Maximo Park - Graffiti
5. M.I.A. - Bucky Done Gun
6. Coldplay - Speed of Sound
7. Seth Lakeman - Kitty Jay
8. Hard-Fi - Tight Up Too Tight
9. Polar Bear - To Touch The Red Brick
10. mp3:Bloc Party - So Here We Are
11. mp3:The Go! Team - Ladyflash
12. Antony and the Johnsons - Hope There's Someone
13. mp3:Franz Ferdinand - Come on Home (Bonus Track from 2004's Winner)

Lastly, credit for the compilation cover art goes to Rowan Mersh, who won the 2005 Nationwide Mercury Prize Art Competition for the mixed media sculpture that graces the CD cover.

Saturday, August 20, 2005

Seth Lakeman - "Kitty Jay"

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Self-described indie-folk artist Seth Lakeman plays the violin, viola, and tenor guitar on his Mercury-shortlisted album, "Kitty Jay", and sings as well. He wrote most of the tracks on the album (the exceptions are traditional songs), basing each on the old stories, myths, and legends of Dartmoor, England, where was born and still lives.

The subject matter of most of the songs is dark, and compelling. A ship lost at sea, the suffering of men who worked tirelessly in copper mines... murder. The music is beautiful -- Lakeman's brother Sean plays guitar, electric bass, and mandolin on the album; other musicians add double bass, drums, vocals, bouzouki, and church organ. While the sound is certainly unlike, say any of the other Mercury nominees or just about anything you're likely to hear on the radio, there's a nice variety amongst the songs themselves. They don't all sound alike. Lakeman, fortunately, sings with the passion that is required to make these old stories seem relevant. There's a sweetness to his voice as well, which is somehow reassuring given how grim some of his lyrics are. I'd call it a "spoonful of sugar helps the medicine go down" effect, but I like his songs too much to compare them to medicine.

mp3:Seth Lakeman - The Streamers (based on the traditional song "The Streams of Lovely Nancy")

mp3:Seth Lakeman - Blood Upon Copper (the subject matter is not cheerful, but this is excellent and... you can even groove to it. Is that wrong?)

Seth Lakeman's official website - includes lyrics to "Kitty Jay" (currently available only as an import in the States, so it's a bit pricey but it's worth it)

Seth Lakeman BBC Radio concert

Mercury Prize Website - if you sign up for their mailing list, you get access to their members' area (ooh, la la), which at the moment includes a video of Seth Lakeman performing "Kitty Jay"

Friday, August 19, 2005

Epic-length Review of The Laugh Factory...

As an alternative to the Christian Finnegan-enhanced 11 PM Best Week Ever Live show tonight, I saw him perform at the Laugh Factory Tuesday night. Fair disclosure: I was on the comp. list (it has been brought to my attention that this is not a term everyone knows. My bad. Sorry. Comp. list = complimentary - the same thing as a guest list. It just means I got in free). More fair disclosure: Comp. list folks didn't have to wait to get in, this much is true. There is a hidden downside to this comp. side business, however. They'll let you in early (at least they did that night) but even if you're not especially early (damn traffic) the programs may not be ready, leaving many comp. list folks programless. Oh, woe was us! Oh, so, they weren't formal real programs per se. They were close enough, stapled handouts with biographies of the comedians appearing in the evening's showcase. It's nice to have a sort of guide as to who will be performing. Plus, as seems standard for plays and comedy showcases alike, half of the photographs beared no apparent resemblance to anyone on the stage, to ensure a lively round of "Which guy was that?" "Was he that guy?" at the end of the night. No one should be deprived of that fun!

That game was made possible because of finally securing a "program", but not because the Laugh Factory hostess was willing to help. They produce laughs, not programs, fair enough. When asked about programs, the hostess' attitude could best be perhaps best be described as "I could care less, but that would require effort, so I won't." Maybe she was having a rough night, and isn't usually rude. Or maybe it's supposed to be funny that the hostess is rude! Heh - good one! I guess.

Equal-time good things about The Laugh Factory: really nice layout, a variety of seating options and I don't know if there's a bad seat in the place, it's comfortable and clean, the servers are great (overworked but they do work so hard), nifty stage and a couple monitors too, just in case the stage isn't visible to all... a really good set-up...

However, another gripe follows. The Laugh Factory requires a $20.00 minimum purchase to use a credit card, which they are not allowed to do, per the terms of their agreements with the credit card companies. If any merchant tries this on you, you could point out that they're not allowed to do that. That is unlikely to work, especially if you're not talking to the owner. If you go ahead and buy something and they did require a minimum fee, you can file a complaint with your credit card company, and I encourage you to do that. I think this generally means writing a letter to explain what happened and including whatever receipt(s)/proof you have. I'm surprised a well-known place like The Laugh Factory is trying to get away with such a blatant no-no.

I probably don't have to spell this out, but of course it isn't about the $20, it's about violating the terms of their agreements with the credit card companies out of greed. Some people complained about the small drinks, but I expected that. It's so you'll buy more and that's fine. A two-drink minimum, and small drinks, fine. Some people said their drinks were watered-down; mine was fine.

Food-wise, if you're a vegetarian, you're having the chips and salsa. It's the only vegetarian food offered, aside from the tortilla chips included with everything else on the menu (sort of the same thing, really). Other than that, there are mini-burgers, chicken or beef burritos, "BBQ delight" sandwich, New Orleans chicken sandwich, or hot dogs. Every food item on the menu is $8.00, except for the chips and salsa, which are $5.00. The chips are salty (drink more!) but good. It may take a while to get food/drinks, depending on when you arrive/can get in (okay... it helps if you're on the comp. list and order food quickly). The servers are overworked and waiting tables is an incredibly hard job. I believe in giving big tips, especially to servers, unless they're a jerk or incredibly neglectful... which is rare.

The comedy (oh yeah, that!) was mostly really good! A bunch of comedians performed, and only one was altogether painful: J.B. Smoove. He opened by ordering music to be played, then kept insisting that it was wrong, and (presumably, mock-angrily) ordering that different music be played. It was the sort of act where you immediately know that it is going nowhere, but is going to take forever to get there. Just dreadful. What's worse is that the guy yelled into his microphone and showed no awareness of how loud he was. He was painfully loud. People were plugging their ears... His act continued past that part with the music, but the yelling continued. I have no idea whether he might be funny without a microphone.

Other than that, it was a strong night, well-run by host Lester Berry. All of the comedians had solid comid credentials... Christian Finnegan for example... is among other things, a permanent panelist on Best Week Ever, Michael Somerville tapes an appearance for Comedy Central's Premium Blend next week, which should be good. Kyle Grooms has already been there, done that (is it a rite of passage? several of them have done the "Premium Blend" thing).

Mike Birbiglia has appeared on Late Show With David Letterman, though his bio calls it "CBS' Late Night w/ David Letterman". You can see a clip of the appearance at his website. A lot of comedians have performance videos on their websites these days, which is smart of them, and cool for us. Birbiglia was very funny, and the crowd liked him a lot. He told a joke about going to a funeral where they handed out Kleenex, "which I thought was cocky." His jokes worked as much because of his delivery as because of the content, and sometimes more so. According to his bio, he's working on a scripted show for Comedy Central "based on his popular 'Secret/Public Journal' segment on the Bob and Tom Radio show."

Ted Alexandro also... provoked many laughs. (must stop over-using "funny"...) He opened with a bit comparing oppressive heat to talking with the elderly. He has (yay, program containing biographies!) a background in acting, which comes in very handy for that kind of joke.

Darlene Westgor had a very likeable stage presence and had an amusing act that flowed very well; it was very cohesive. One of her jokes ended with telling her kid, "Your father's a musician, your mother's a comedian. You're a waiter."

Craig Baldo had a good bit about not knowing whether he was getting invited to parties just because he has a fog machine, and how it makes it easy to just "disappear" away from boring conversations. "So, you work for a web design company?" Craig subtly disappears into the fog...

I laughed during Kyle Grooms' routine, but I wished I laughed more. I found at least a third of his routine overly familiar. Yeah, you're saying the "n word". And observing that we're supposed to be shocked that you're saying it, and imitating the shocked reaction you imagine we're having, although none of us appear to actually be having that reaction (likely because this routine is so old hat). And saying it again dozens of times. Whatever, dude. It's all been done before a lot. I didn't find that portion of the act fresh, interesting... or funny. He joked about Kyle not being an especially tough name, and I found that bit, and some of his others more original and clever. He does tell jokes well.

Michael Somerville reminded me of your stereotypical boyfriend's best friend kinda guy... the kind of guy who basically moves in with you and eats a lot, watches a lot of TV, and just is kind of oblivious. But he's funny and charming in his own way... so you actually like him. But send him on his way every so often, because sometimes three's a crowd. I hasten to add that I speak hypothetically. He joked about laundry day, and his wardrobe being reduced to the point where his choices were going swimming or graduating high school. I criticized Kyle Grooms for a lack of originality, and laundry day material is not exactly new either. However, there was a lot of lead-up to that joke, and a spin on it that made it at least somewhat fresh. It was also really funny and got a great response...

As for the chap I was there to see, I mostly really liked Christian Finnegan's act. He was witty and relaxed, and got a great response from the crowd. The bummer is that there's that "mostly", which I have to address. Two moments stood out as exceptions in an otherwise enjoyable act. First, he told a joke about his girlfriend punching him in the face. He was talking about going on vacations, basically so his girlfriend could annoy and nag him, in new and exciting locales. This was mostly a great bit, and it mostly went over well. But no one wanted to hear him joke about his girlfriend perhaps punching him in the face in a new setting. It was an awkward moment. Do I really have to explain why that isn't funny?

Second, he mentioned drinking a "faggoty" tropical drink. I'm not naive, and I know for better, worse, or neither, words that aren't acceptable elsewhere are casually tossed around in comedy clubs. Oddly, as I alluded to earlier, although the same few words are tossed around a lot, much of the comedy is supposed to come from the "shock" of hearing them. I don't especially enjoy hate speech being used anywhere, but if it's going to be done, I really don't like it being used in this sort of seemingly condoning fashion. If the response is "It wasn't condoning", it's seemingly enough that in this case it sounded like it to me. Finnegan also talked about having been called a "drama fag" by boys who would torment him in high school... getting beat up, called "drama fag" and peed on... I didn't think that was the funniest part of his act either... And if it was wrong for for him to be called a fag (and it was), why later embrace that terminology and use it as an insult? I don't feel like I should have had to explain why I didn't think that was funny either, but there you have it.

I was especially disappointed because I think he's a witty guy, and those moments were beneath him. He's more clever and creative than domestic violence and "fag" jokes. Most of his act was funny, but unfortunately the negative parts are what I remember best. I can tell you he introduced himself by pointing out his resemblance to Biff from Back From the Future... I didn't shut down and stop listening after the parts I didn't like, and I did mostly enjoy during his act... I just can't remember another joke well enough to quote it. I talked to several people about him afterward and each one said the same thing, "Which one was he?" No thanks to the nefarious hostess and thanks to the program, that issue was easily straightened out each time. No, seriously... every person I talked to about him did think he was really funny.

And so endeth my massive, epic review. It was pretty much no fun to write, but at least it's over with now. I hope we can all find some healing and move on. It's the Age of Diddy, after all.

mp3:Barenaked Ladies - The Humor of the Situation (from Maroon)

Thursday, August 18, 2005

The 100th Post: A Veritable Orgy Of Music (None By Orgy)

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I told a friend for my 100th post, I was going to share 100 songs and take the links down after 100 minutes. I was kidding, of course, but at least it was an idea... as the minutes ticked by, I thought of other ideas. Some were incredibly brilliant! I decided to do something else, for reasons I can't get into here... I'm sure you understand. (heh heh. I bet they bought that. Now I just have to remember to delete this parenthetical aside before I publish the post). Actually, I set aside a few bits originally intended for this post... they will appear in later post(s).

Before I get to the actual main content of this post (heh heh again. They hate me so much. Hey... don't scroll down! Aw. That sucks)... I'll get briefly sappy (and I think we know how painful that can be... no, wait, pleasurable that can be? I'm so confused). I won't thank everyone I ever met, but I'll thank a few people. First, of course, thank you to Matt Hales for the name of the blog. I talk about Aqualung less than I otherwise would, because of how the blog was named, which is a raw deal for him. Matt Hales great, Aqualung great. I also want to thank the fellow who encouraged me to start a new blog, and whose support and friendship means a lot. As I realize that blogging is going to make me late to dinner with some friends tonight, I feel like I should generically thank and apologize to all my friends. So: [insert generic thanks and apology here]. Aw, I'm rushing. They'll understand. Probably. I'm seriously charming in real life. Seriously. Disarmingly so. (Attention, people who know me in real life. Don't correct me, okay? I'll give you stuff. You like stuff, right? Memo to self: stop telling people I know in real life how to access this blog)

Thanks also to all readers of this blog, be they old, new or medium-aged... And (hey, I'm wrapping up soon) thank you to the readers and artists who have written, both on and off-blog, so to speak. It's really appreciated. And thanks to elbo.ws, the best mp3 blog aggregator around, and it's constantly improving... and... it seems trite and sappy to thank other bloggers, and this isn't real life where my incredible charm can enable me to pull that kind of thing off. So... geesh... er... keep on truckin', other bloggers. You know... in a way, I actually resent you all for making me think of something to put there!

So after all that blahblah, just a simple concept... I decided to post (at least) one song by each of the artists I named as a favourite in my blogger profile. I brilliantly used one of my spaces to add "many more" which seemed like a good idea at the time, and hey, my mistake is your gain... that will amount to a pretty random additional assortment of some more songs I dig.

May change that profile a bit after this... this is perhaps a good last hurrah:

mp3:Aqualung - If I Fall (from Aqualung)

mp3:Rilo Kiley - Sword (from the Initial Friend EP. Changed my mind multiple times about which song to post. Should I post a rare one, a favourite one...? Got frustrated because I hoped to finish this post much earlier... I'm deciding on these tracks out of order and this is just about the last one... Sword is not terribly-rare, but it's not terribly well-known either, and it's very good. Okay. Next!)

mp3:Andrew Bird - The Naming of Things (from The Mysterious Production of Eggs)

mp3:The Weakerthans - Watermark (from Left & Leaving)

mp3:Gorillaz - DARE (from Demon Days)

mp3:Nada Surf - Inside of Love
mp3:Nada Surf - No Quick Fix (both from Let Go). I recently posted a track from the forthcoming Nada Surf album, target="_blank">The Weight Is a Gift and someone said they were kind of disappointed by it, given how touching "Inside of Love" was. I love that song, and I think "No Quick Fix" is also excellent, so well-written and beautifully depicts some of the same emotions. I haven't had the chance to listen to listen to all of "The Weight is a Gift" yet but I hope at least a couple of its tracks have the sort of depth as these tracks from Let Go).

mp3:The Lucksmiths - The Year of Driving Languorously (from Why That Doesn't Surprise Me)

mp3:Stellastarr* - untitled (from some versions of Stellastarr*)

mp3:They Might Be Giants - Istanbul (Not Constantinople) (I don't want to dub them a nostalgia pick... but I don't really listen to them that often these days. I've seen them twice the last couple years, and they were great both times... and I still do like them, and enjoy them when I do listen to them. That just isn't very often. I also hate Hate Boss of Me. Ugh)

mp3:Sloan - People of the Sky (from Twice Removed. Yes, I'm an American who loves Sloan. This is such a great song... hardly their only one, but definitely a favourite. Sigh. Yes, I'm an American who uses British spelling. You're a new reader, aren't you? I mean: Welcome!)

mp3:The Tragically Hip - Sweet Jane (live) (cover of a song by The Velvet Underground)

mp3:Ultimate Fakebook - Tell Me What You Want (from This Will Be Laughing Week. This band should be so much more well-known they are)

mp3:New Order - True Faith (from Substance, International: The Best of New Order, etc.)

mp3:Death Cab for Cutie - That's Incentive (from You Can Play These Songs with Chords. Also a CD single and on the Something About Airplanes import album)

mp3:Wilco - One Hundred Years From Now (from Return Of The Grievous Angel: Tribute To Gram Parsons)

mp3:Saint Etienne - Relocate (from the UK album Tales from Turnpike House. David Essex is the bloke singing on this one...)

mp3:The Ocean Blue - Drifting, Falling (from The Ocean Blue. This is the track that I wrote about making it to the forthcoming box set Just Say Sire's DVD, but not one of the accompanying CDs)

mp3:Belle and Sebastian - Wrapped Up In Books (from Dear Catastrophe Waitress)

And "many more" ... oh, at the time it seemed like a good idea to include that. Okay, I'm going for a random assortment of songs I like...

mp3:The Chills - Pink Frost

mp3:Dirty on Purpose - Mind Blindness (from Sleep Late for a Better Tomorrow)

mp3:Helium - Ocean of Wine (from Magic City)

mp3:Ken Nordine - Purple (from Colors)

mp3:The Mr. T Experience - Up and Down (from Big Black Bugs Bleed Blue Blood. It's a Sesame Street cover. I long ago declared The Mr. T Experience the best band name ever, and I stand by that)

mp3:Elvis Costello - Monkey to Man (from The Delivery Man. Costello is still making good tunes... I think the video is really stupid, though)

mp3:OK Go - 1000 Miles Per Hour (from OK Go). Sometimes I like this kind of music...

mp3:Superdrag - Bastards of Young (live) (Replacements cover). Sometimes I like this kind of music...

Until next time...

Wednesday, August 17, 2005

Mercury Rev - In a Funny Way

mp3:Mercury Rev - In a Funny Way

Can't miss a day of posting, now can I? Almost though...

However, this now means this is my 99th post and writing about the night o' comedy will have to be pushed back until after my next post, which will be my 100th.

Until then...

Tuesday, August 16, 2005

A Dozen Songs - Sam Ashworth, Close Lobsters, Johnny Cash & Human League Covers...

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Not fair to blame the songs and say they "felt like being together", I suppose... hmm. Okay, there's a secret theme. No, that's not right... They're just good songs that ended up together. Who knows how these things happen in this crazy, mixed-up world of ours? Well, I guess in this case, I do since I'm the one posting them. Alright then; that settles that! On to the music!

mp3:Sam Ashworth - Look Back

This track appears in the CD included with the current issue of Paste magazine. I wrote about that issue recently, and posted a few tracks from it. I try not to post too many songs from magazine CDs, though it's tempting... It's obviously a balancing of interests -- wanting to spread the word about more artists, while trying not to discourage (and preferably, encourage) magazine sales. In this case, someone from Ashworth's record label wrote to me and asked me to post the track from the Paste CD, which is from his solo album, Gonna Get It Wrong Before I Get It Right, which will be available on Sept 6. Fortunately, I like the song, because I would say so if I didn't (I can be plenty undiplomatic. What do you mean, you didn't question that much? Hmph. Thanks for the support, I guess). I would still feel badly about it! And who needs that? Not me. Hopefully, some appreciation for another song will also mean some reflected glory for Paste... (Do I get any credit for not making a "stick to" joke there? No? Sigh. Fair enough)

Vocalist/guitarist/"sometime drummer" Sam Ashworth is also in a band called Astronaut Pushers, along with guitarist John Davis of Superdrag, drummer Lindsay Jamieson (who played on Ben Folds' Songs for Silverman album and tour) and bassist/cellist Matt Slocum of Sixpence None The Richer. Their website is under construction but you can listen to a couple of their songs there, "Cut Me Off" and "Let Love In". I like both, especially "Cut Me Off". It's really excellent angsty power-pop. "Let Love In" is good too, a bit sweeter. The Astronaut Pushers EP is available exclusively through Paste Music. It's also the first release from the Astronaut Pushers' own imprint, label recording co., on which they plan to release other artists' work, as well as their own.

mp3:Close Lobsters - Going To Heaven To See If It Rains (Britpop, altpop, call it what you will, it's excellent. This was their first single. It's from 1986, and is out of print)

mp3:Pee Shy - Mr. Whisper (from the 1998 album Don't Get Too Comfortable. Good song. Terrible band name. Thanks to a tip at the Amazon page for this album, I saw that a couple members of the group had moved on to a new band called the Caulfield Sisters... much better name. See next track...)

mp3:The Caulfield Sisters - Phoebe's Song (sample) (from the Say It With Fire EP.)

Former Pee Shy guitarist/accordionist Cindy Wheeler and bassist Mary Guidera, along with drummer Kristen Mueller formerly of Gloria Deluxe and Hidden Driveways are collectively The Caulfield Sisters. The group describes the name as "the musical metaphor of Phoebe, little sister of Salinger's anti-hero Holden Caulfield; Holden's Phoebe, the little sister as savior, a glimmer of hope in a blue coat, a sonic swirl, a beautiful blur that keeps whirling past you on the Merry-go-round." I wonder if at some point Mueller said, "Guys, it's just a name, we're putting too much thought into this" and one of the former Pee Shy members got really worked up. You can tell they put a lot of thought into the name this time.

mp3:OMD - Talking Loud and Clear (from The OMD Singles, The Best of OMD, and the out of print Junk Culture)

MP3:Four Tet - My Angel Rocks Back And Forth (From Rounds. Sounds like a musical interpretation of breathing... yeah, I know you could have guessed the musical part even without downloading it. Wisenheimer)

mp3:Peter Shelley - Straight 'A''s in Love (Peter Shelley = Pete Shelley, the ex-Buzzcocks singer, the guy who sang "Homosapien", etc. This track is from 'Til Things Are Brighter, a cool Johnny Cash tribute album from 1988. I lost this CD for a while... was happy to find it again. A couple more songs from it are posted below)

mp3:Marc Almond - Man in Black (Another Johnny Cash cover from 'Til Things Are Brighter)

mp3:Tracey and Melissa Beehive - Five Feet High And Risin' (Another Johnny Cash cover from 'Til Things Are Brighter. Tracey and Melissa are from Voice of the Beehive. The band had a reunion tour last year but alas is no longer together... I liked them)

mp3:Cinerama - Barefoot in the Park (from Va Va Voom)

mp3:The Waifs - London Still (From Up All Night)

Two tracks from the Human League tribute album Reproductions: Songs of the Human League:

mp3:The Aluminum Group - Love Action (I Belive In Love)

mp3:Baxendale - Keep Feeling Fascination

Monday, August 15, 2005

New Fiona Apple - "Parting Gift"

And following up on the earlier post, here's that recorded-in-one-take song:

mp3:Fiona Apple - Parting Gift

Fiona Apple to Release New "Extraordinary Machine"

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Fiona Apple has announced the completion and October 4 release date of her third album, Extraordinary Machine. She says she has been working on it in a rather "on the down low" fashion, even while many fans were lobbying for the release of an earlier version, which had leaked. Odd that she would let them, if she didn't want that version released anyway.

Apple says, "Now that my album is finally finished, I am very, very excited to have people hear what we did - I am so proud of it, and all of us who worked on it." According to Billboard, "Apple was not happy enough with the Brion-produced versions to release them." But at least she's still "so proud" of him... In April 2004, asked Mike Elizondo, who played bass on two songs from her 1999 album "When the Pawn..." to help her "re-imagine" them. Again, if this is true, why not tell her fans that instead of letting them invest their time and energy in a pointless campaign on her behalf? Both Apple and her record label have been mum until today about her album's status. Why?

Two songs from the "new" album are from Brion's version, according to Billboard: the title track and "Waltz". Nine other songs that were leaked will be on the album. "Parting Gift" is a new piano and vocal song recorded in one take. Funny that the "brand-new" song took just one take, and that they're publicizing that... but of course an artist should be happy with their album.

Along with announcing the new version of "Extraordinary", Apple has launched a new website at www.fiona-apple.com. If you sign up for her mailing list, you can listen to "Parting Gift" and "O' Sailor". Tomorrow, the tracks go on sale at iTunes in an "exclusive bundle download", which sounds sort of painful, but probably is not.

In Apple's/Epic's press release they mention her "intensely loyal fans" and praise Apple herself in a number of interesting ways. They acknowledge her "edgy and elegant musical genius" ... she's "a visionary" ... sure, there's the "captivating videos" (gee, do they mean captivating in a "visionary" way?) ... she's "an uncompromising and original artist".

And there's the spin... Fiona Apple is an uncompromising artist. She wouldn't settle for an album that was merely good. Her fans are wonderful, so loyal and special, but she can't compromise when it comes to her artistic vision.

I don't know what really happened, but I wish Billboard didn't report the "Fiona Apple is a perfectionist/Jon Brion kinda sucks" version by saying "But in truth"... There's a difference between "a couple of people say this" and "this is the truth." The New York Times' article about the album (which requires registration to read) includes a quote from an "executive", who says the album, "was never in a place where she wanted it out." The exec "spoke on condition of anonymity to protect a relationship with Ms. Apple" although their statement seems to support what she's saying. Why would that harm their relationship?

Whatever the truth is, it's cool that Apple's preferred version of "Extraordinary Machines" is coming out, but I think her fans could have been treated better during the waiting game.

Sunday, August 14, 2005

Kevin Smith Blogs about Bruce Springsteen

Particularly if you're a fan of Bruce Springsteen and/or Kevin Smith, you might want to check out Smith's blog entry about Springsteen (if you haven't already done so).

A brief excerpt:

And if that wasn't enough, in "Rosalita", he sang the immortal lines

And my tires were slashed
And I almost crashed
But the Lord had mercy
And my machine, she's a dud
I'm stuck in the mud,
Somewhere in the swamps of Jersey.


I've never been a car-guy (indeed, I'm still not sure how an automobile works), but when Bruce romanticizes cars in his songs, it makes a brother wanna hang out around a garage or, at the very least, go to Pep Boys. The man's a fucking poet who, as Susannah pointed out, knows how to make the mundane epic. He takes small moments in the lives of the working class and reveals them for what they are: unsung miracles.


mp3:Bruce Springsteen - Rosalita (Come Out Tonight) (from The Wild, the Innocent & the E Street Shuffle, The Essential Bruce Springsteen, etc.)

New Nada Surf: "Always Love"

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From "The Weight Is A Gift" available in the US on Sept. 13, according to the band's MySpace page and Sept. 12 in the U.K./Europe, Sept. 20 in the U.S., according to Nada Surf's official website. So if you're an American and not a MySpace member, you might want to go ahead and wait until Sept. 20 to buy the album. Nada Surf might have some sort of preferrential system in mind for their MySpace friends. Don't worry, they'll make plenty of CDs for everyone! (Not Nada Surf themselves... they can't do everything)

mp3:Nada Surf - Always Love

August Uncut Mag/CD - Highway 61 Revisited - Revisited

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The August issue of Uncut is well worth buying, aside from the CD. It's their 100th issue and they're commemorating with a cool feature called "The Uncut 100." 100 people -- "Uncut's select panel of music and movie icons" -- each picked a favourite album, movie, book, TV show, etc. It sounds as though someone(s) at the Uncut staff decided how to rank the 100. Fair enough; I don't think anyone expected the "panel" to do that. These lists are pretty random and subjective anyway. This one's fun to read and their "panel" includes some cool people. It's all good.

It's nifty reading.

Robert Smith's ode to David Bowie's The Rise And Fall of Ziggy Stardust is touching; I like how well he can remember how it felt to listen to that album at the age of 13. Some people have great stories about their first album, and often there's something special about the music you loved when you were young.

Noel Gallagher picked "This Charming Man" by The Smiths and talks as sweetly as he ever seems to about how "incredible" he found them. None of his "football hooligan" friends liked them, though. He credits the band for his realization that he wanted to pursue music, so you can direct any credit/blame accordingly (mostly to Moz and Marr apparently).

South Park's Matt Stone gives props to The Simpsons, and tells us once or twice a week the South Park writers spend an hour talking about a "great idea" before someone dooms it with the words, "Simpsons did it." Saint Etienne's selection: The Stone Rose's eponymous album. I already liked Saint Etienne, but my fondness level inched upward a bit with that pick, and there's a nice little story to go with it.

Some of the others in the Uncut Panel: ABC's Martin Fry, Jarvis Cocker, Josh Rouse, Johnny Marr, Marc Almond, Ed Norton, Michael Madsen, Sonic Youth, Lou Reed, New Order, Doves, Patti Smith, and... Hall and Oates. Hall and Oates make one pick together (James Brown - Live at the Apollo). Ditto for Sonic Youth, New Order, Doves... but the guys from REM each get to make their own pick, perhaps because they're such pals with Uncut, what with the magazine covers and compilation CDs and all.

Bo Diddley praises The Clash's debut album and talks about touring with them. He says, "The Clash were good to me, man." His hearing was left damaged, though. That sucks, and this issue merits some space in a music blog. Hearing loss and tinnitus are not rare, and they can of course be fairly traumatic. Noise can cause either or both, and it can happen quickly. Sadly, there is far too little awareness of the problem, including among adolescents and young adults, which tends to be a time when people go to a lot of concerts. (Music may seem more "gnarly" and "radical" when you're young. Plus, allowances are "righteous" and can fund such expensive... fun. It could also pay for earplugs, and most respondents in the survey linked above say they would wear them if they were advised to do so by a "medical professional" or knew there was "the potential for permanent hearing loss")

H.E.A.R., founded by Kathy Peck, a former bass player and singer for The Contractions, along with physician Flash Gordon (what? I didn't name him) works to teach the public about the dangers of excessive noise. They also promote the use of ear protection, for example by setting up earplug tables at concerts. They've released a couple of benefit CDs, Who's Not Forgotten: - A Tribute To The Who, with covers by Guided by Voices, The Contractions, and Pat Dinizio, and The Story : Letter from Ginger Coyote, which includes tracks from Shonen Knife, The Avengers, and The Bellrays.

As for the Uncut CD, it's a re-recording of Bob Dylan's Highway 61 Revisited. Fitting as #1 on The Uncut 100 is Dylan's "Like a Rolling Stone" which Patti Smith "nominated" and discusses.

The Track Listing:

1. mp3:Like A Rolling Stone - Drive-By Truckers
2. Tombstone Blues - Marc Carroll
3. mp3:It Takes a Lot to Laugh, It Takes a Train to Cry - Paul Westerberg
4. From a Buick 6 - Richmond Fontaine
5. Ballad of a Thin Man - Willard Grant Conspiracy
6. Queen Jane Approximately - American Music Club
7. mp3:Highway 61 Revisited - Dave Alvin
8. Just Like Tom Thumb's Blues - The Handsome Family
9. mp3:Desolation Row - Songdog (Wikipedia has a nice entry on this track, with some background, info, analysis and a link to the lyrics here)